Marathi Natya Sangeet नाट्यसंगीत

Natya Sangeet (नाट्यसंगीत) is a form of Indian classical and semi-classical music. The name literally means Dramatic Music and the musical dramas are then called as Sangeet Natak. It is also one of the two popular forms of vocal arts in Maharashtra and surrounding states.

Natya Sangeet is said to have originated in the 19th century in a region that is now the state of Maharashtra in India. In past music was monopoly of Princes and other rich class.common people could not enjoy classical music. It basically emerged so that the common people could also enjoy classical music as it is based on classical base.

In 1879, Playwright and producer Trilokekar independently presented his musical play Nal-Damayanti (नल-दमयंती) to Marathi public. It was the first musical play on Marathi stage. Later on Balwant Pandurang Kirloskar (or Annasaheb Kirloskar) staged his first musical play Shakuntal on October 31, 1880 which was based on Kalidas's play Abhijñānaśākuntalam.

Annasaheb Kirloskar wrote shakuntal in 1880, thereby starting a new tradition in Maharashtra. During its early period, Sangeet natak was dominated by religious plays like Sangeet Saubhdra. The trend changed with the coming of sangeet Manapman, which depicts bravery of its hero Dheryadhar and his love with Bhamini which was written by Krushnaji Prabhakar Khadilkar.

During the 1960s, another turn came with the emergence of Jitendra Abhisheki, who was credited with applying simplicity to the complex composition of Natya Sangeet.

विष्णुदास भावे यांनी मराठी रंगभूमीचा श्रीगणेशा केला तर संगीत नाटकाचा लौकिक अर्थाने प्रारंभ अण्णासाहेब किर्लोस्कर यांच्या संगीत शाकुंतल (१८८०) या नाटकाने झाला. त्यानंतर सौभद्र, रामराज्यवियोग, द्रौपदी, विद्याहरण, शारदा, स्वयंवर, मानापमान, संशयकल्लोळ, एकच प्याला ...अशा संगीत नाटकांची परंपराच निर्माण झाली. १८८० ते १९३० हा संगीत नाटकांच्या आणि पर्यायाने नाट्यसंगीताचा सर्व अर्थांनी सुवर्णकाळ होता.

If you want a specific drama (natak) to be added, please let us know in the comments.

This app contains following dramas:

- एकच प्याला

- संगीत शारदा

- संगीत मानापमान

- संगीत सौभद्र

- संगीत स्वयंवर

- संगीत शाकुंतल

- संगीत विद्याहरण

- संगीत मृच्छकटिक

- संगीत विक्रम शशिकला

- संगीत संशयकल्लोळ

- संगीत श्री

Natya的Sangeet（नाट्यसंगीत）是印度古典和半古典音乐的一种形式。这个名字的字面意思是戏剧性的音乐，然后将音乐剧被称为的Sangeet Natak。这也是这两种常见形式在马哈拉施特拉邦的声乐艺术和周边的国家之一。

Natya的Sangeet据说，现在是马哈拉施特拉邦印度状态的区域起源于19世纪。在过去的音乐是王子等丰富class.common人的垄断地位无法享受古典音乐。它基本上出现，使因为它是基于经典的基础上，老百姓也喜欢古典音乐。

1879年，编剧和制片人Trilokekar独立展现他的音乐剧经过NAL Damayanti（नल-दमयंती）到马拉公众。正是在马拉阶段第一音乐剧。后来Balwant Pandurang基洛斯卡（或安纳萨布·柯洛斯卡尔）上演1880年10月31日这是基于卡利达斯游乐沙恭达罗他的第一个音乐剧Shakuntal。

安纳萨布·柯洛斯卡尔在1880年写道shakuntal，从而开始在马哈拉施特拉邦一个新的传统。在其早期阶段，的Sangeet natak被喜欢的Sangeet Saubhdra宗教戏剧为主。这一趋势与的Sangeet Manapman，描绘了主人公Dheryadhar和他的爱与Bhamini写由克鲁什内士·普雷卜哈卡尔·哈迪卡尔的勇敢的到来改变了。

在20世纪60年代，另一个轮带着吉滕德拉·阿希基，谁与应用简便性Natya的Sangeet成分复杂记的出现。

विष्णुदासभावेयांनीमराठीरंगभूमीचाश्रीगणेशाकेलातरसंगीतनाटकाचालौकिकअर्थानेप्रारंभअण्णासाहेबकिर्लोस्करयांच्यासंगीतशाकुंतल（1880）यानाटकानेझाला。 त्यानंतरसौभद्र，रामराज्यवियोग，द्रौपदी，विद्याहरण，शारदा，स्वयंवर，मानापमान，संशयकल्लोळ，एकचप्याला...अशासंगीतनाटकांचीपरंपराचनिर्माणझाली。 1880ते1 9 30हासंगीतनाटकांच्याआणिपर्यायानेनाट्यसंगीताचासर्वअर्थांनीसुवर्णकाळहोता。

如果你想有一个特定的戏剧添加（natak），请让我们知道了意见。

这个程序包含以下戏剧：

- एकचप्याला

- संगीतशारदा

- संगीतमानापमान

- संगीतसौभद्र

- संगीतस्वयंवर

- संगीतशाकुंतल

- संगीतविद्याहरण

- संगीतमृच्छकटिक

- संगीतविक्रमशशिकला

- संगीतसंशयकल्लोळ

- संगीतश्री